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J. Natasha Kostan

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Statement

My works generally are the result of a continuous refinement of established techniques and experimentation painted on canvas or paper with mixed media materials. Mostly subjects are based on abstracted impressions and memories of different architectural sites I have visited throughout the world. Ancient, and far away places and their unique moods created by light and changing color evoke intense responses and compel me to create my work. In order to capture every mood to my personal satisfaction,

the surfaces have to be superimposed and juxtaposed, creating major and minor accents with some kind of harmony.

I feel that the completion of my paintings is a journey unto itself, of color and feelings. At times I insert snapshots and add

Biography

J. Natasha Kostan lives and works in Los Angeles and has been painting in multimedia for the past 30 years. She has studied Fashion and Interior Design in England and Fine Arts and Art History in the United States, and received her BFA from Immaculate Heart College. Her work includes oils, acrylics, mixed media and collage on canvas and on paper.

She studied printmaking extensively under Maurizio Barattucci, a well-known and highly respected artist and instructor. The printmaking process has been an inspiration for developing intriguing primary surfaces and the metamorphosis of Natasha's works on paper. Natasha states: "Ancient, and far away places and their unique moods created by light and changing color evoke intense responses and compel me to create my work. In order to capture every mood to my personal satisfaction, the surfaces have to be superimposed and juxtaposed, creating major and minor accents with some kind of harmony."

Her eclectic style is a manifestation of her multi-hued vision of the world. Her work expresses her experience of living in and traveling through several cultures. "Her palette reflects warmth, balance and strength," said the late Barbara Hagar, California artist, teacher and mentor with whom Natasha studied for many years. Numerous corporations as well as private collectors throughout the United States and England own her paintings. She has exhibited solo and in groups in the United States and Armenia.


The record

Exhibition history

1 exhibition